2-hour figure

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Figure from the evening session last night. I'm trying to figure out how to handle the values when the figure is in full lighting. There was only a small sliver of core shadow on the left side of that arm and leg. So the usual method of breaking up the masses with the terminating line didn't apply. Maybe the thing to do is treat the halftones like the terminating line, but they are just so much softer and blend more seamlessly from one to the other, so it's more difficult to make a judgment call on where they begin and end.

Comments

  1. Brock Alius ArtJanuary 25, 2017 at 9:18 AM

    Don't burden a line drawing with heavy half tones and shadows; keep them light. The beauty that is the particular province of line drawing is the beauty of contours, and this is marred by heavy light and shade. Great draughtsmen use only just enough to express the form, but never to attempt the expression of tone. Think of the half tones as part of the lights and not as part of the shadows.- Speed

    ReplyDelete
  2. Brock Alius ArtJanuary 25, 2017 at 9:20 AM

    Meaning you're on the right track

    ReplyDelete

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