Work in Progress

-
16x20", water mixable oil on stretched canvas

I just started putting some paint on top of this underpainting yesterday. I'm using the Zorn palette (yellow ochre, cadmium red medium, ivory black, and titanium white)--which is new to me, and a challenge in itself. 

I have a long way to go here yet, but at least the drawing on Steven's face is a little better--not so squishy. I think I need to tone down and warm up the value on his face (especially the shaded part) because he's looking a little pasty. And the eyelid on the shaded side needs to be brought down as well.

I'm always getting in over my head :P, but I think that's where I learn the most. So I'm trying to look at everything I do as a learning experience and not put too much pressure on myself. I like Richard Schmid's advice that if you can see a problem, you can fix it--it's probably a problem with the drawing, value, color, or edges. So I'm going to keep that in mind as I go along. If I can see the problem, I can fix it. 
Easy, right? ;)

Comments

Post a Comment

Popular posts from this blog

Thoughts on Social Media

-
Image
Shortly after I started painting consistently in 2015, I created a dedicated Instagram account for my art. At that time, Instagram really was instant! Content was sorted according to the time at which it was posted, and you could see, in real time, what friends were doing, creating, etc. I enjoyed this format--it felt like a fair playing field where everyone had the same chance of being seen. I felt motivated to share, join the conversation, and record the journey of my art study and development. Fast forward to now>>incremental changes over the years have led to my feeling that Instagram isn't much more than a marketing game. And with constant unannounced changes to the algorithm, it's a game in which I'm never quite sure of the rules... sounds a little bit like an unhealthy relationship dyamic? :/ This strategy, of course, exists in order to "motivate" (dare I say manipulate?) people to take out ads in an attempt to stay relevant on the platform, and see t...
Read more

Spring is Here!

-
Image
It was 78 degrees the other day, and I have to say, it was quite a shock to my system--I guess I just don't know how to not be cold after this eternal winter :) As far as art goes, my mantra this year has been to paint small and often, taking all the pressure off of the process and the outcomes. Sometimes I have these grand ambitions for painting, and dive into some overwhelming project head first. I'm not saying this is bad. It's not. It's an excellent thing to do, and makes returning to the simpler work so gratifying and liberating. However, it is possible to get burnt out, and I think that's what happened with me last year. I spent much too long laboring over a massive canvas that in the end, I felt less than confident about. And honestly, in my little heart of hearts, it felt like a waste of a year. Not that it was. It wasn't. It just felt that way. All this to say, I'm having fun with my painting these days. Painting when I feel like painting. Doing som...
Read more

April News

-
Image
I'll admit I've been less than diligent in caring for this blog lately, but it's for good reason--life! Life, for me, is always full of more to do than could ever be done. Maybe I have too many interests. Or maybe I'm too interested in the interests I do have. Whatever the reason, I'm always busy and rarely bored! Anyway, I'm happy to announce a few updates here for my handful of readers ;) 1) I've recently accepted a role as the Utah Ambassador for the Portrait Society of America. It's an organization I absolutely love being a part of. I look forward to becoming more involved with the Portrait Society as I act as liaison for a state full of incredible artists. 2) Although I may have seemed a little quiet in terms of production lately, it's because I've been working on a complex, multifigure commission that won't be released for public view until 2026. So... stay tuned for that one! 3) I'm painting full time now. Side gigs disbanded, I...
Read more