5x7, water mixable oil on linen panel, 10/23/15 The clouds have been unbelievable lately here in Utah--so big and billowy. Whenever I go outside, I have this urge to paint! But I'm not a landscape painter (yet)... not that I wouldn't like to be. I'd like to be able to paint whatever I want :) However, I used to have this idea that I just couldn't paint landscapes (after a couple of miserable failed attempts). But now I'm thinking, "Why not?" I'm sure I can learn how with some practice, and I do want to. I'm finding lately (especially since starting this blog and recording some of my thoughts as I go along), that I have this constant inner dialogue regarding my art. There's always a voice saying "you're not any good and you might as well not bother." I don't like that voice. And since I'm more aware of it, I'm becoming more effective and pushing it away. Who really cares if I'm not any good anyway? No on...
12x9", charcoal & white on gray paper This sweet little fella has been chanting the mantra "I need you" almost incessantly the past few days, which generally means, "hold me and don't put me down." Poor guy--just about breaks a mama's heart :( He finally fell asleep curled up on the rocking chair, so I grabbed some charcoal and sketched him quickly (about 12-15 minutes, I think). I haven't been doing a lot of quick sketches lately. But I think the more careful study I've been doing these past few months is definitely helping when I go to draw something more quickly. And the charcoal is not something I'm very comfortable with, but I think I could learn to like it :)
6x6", water mixable oil on gessobord, 10/30/15 "Every artist was first an amateur" -Ralph Waldo Emerson. This was one of those paintings where what I was trying to do came pretty close to matching what I actually ended up doing... which is how I envision the creation of art by the masters of this craft. They envision a painting, think through the necessary steps necessary to execute it (drawing on their previous knowledge and experience), and then carry out those steps, making something pretty close to what they envisioned. Precise control. I'm sure the only way to get consistent with that kind of mastery is by putting many miles of canvas behind you. I've occasionally been told that I am too hard on myself. Reading through a few of my blog posts, it's clear that I am critical of my work. I don't gloss over my imperfections. This doesn't bother me. I like to be realistic and authentic. If I feel dissatisfied about something in my p...
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