When I showed up for drawing last night, the model had canceled. So one of the artists volunteered to sit for a portrait. He was so much fun to draw, and a nice diversion from the usual 20-something female nude :)
Horrible photo quality here, but this is my current cast project in progress. It feels like I'm getting close to the finish, but I need to address the entire drawing, paying special attention to turning the form and giving it a "sculptural" quality. So more specific information as to how the forms turn away/toward the light. The shapes/impression are there. I've heard some people say that they love finishing--it's the funnest part for them. For me, it's the most grueling. I think I see more impressionistically, so finishing is just really difficult and tedious. Starting's the fun part for me.
5x7, water mixable oil on linen panel, 10/23/15 The clouds have been unbelievable lately here in Utah--so big and billowy. Whenever I go outside, I have this urge to paint! But I'm not a landscape painter (yet)... not that I wouldn't like to be. I'd like to be able to paint whatever I want :) However, I used to have this idea that I just couldn't paint landscapes (after a couple of miserable failed attempts). But now I'm thinking, "Why not?" I'm sure I can learn how with some practice, and I do want to. I'm finding lately (especially since starting this blog and recording some of my thoughts as I go along), that I have this constant inner dialogue regarding my art. There's always a voice saying "you're not any good and you might as well not bother." I don't like that voice. And since I'm more aware of it, I'm becoming more effective and pushing it away. Who really cares if I'm not any good anyway? No on...
It's not every day you meet someone named Beccafer (must be a combo of Rebecca and Jennifer)! She's very good at holding a pose. It's usually a figure pose on Thursdays, but the model was thinking she had been asked to sit for a portrait, so that's what we did. I don't feel like I quite captured her likeness--I think there was probably just slightly more fullness/width on the right side of her face. And again, I was struggling a bit with how to approach blocking in those masses. I think I zone in on each little area too much when I'm trying to see the value, and lose sight of the whole--like trying to include the graded value on the eyelid, when just blocking in a solid mass gives a truer impression of the thing--at least at first. I don't know why simplification is so difficult a thing, but it is. Anyway, I clearly didn't finish, but this is as far as it's gonna get . And that pink glow on the bottom of the image is just the reflection...
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