Afternoon Daffodils

-
8x6", water mixable oil on canvas board, 3/31/2015
Sold


Comments

Post a Comment

Popular posts from this blog

Painting en plein air

-
Image
5x7, water mixable oil on linen panel, 10/23/15 The clouds have been unbelievable lately here in Utah--so big and billowy. Whenever I go outside, I have this urge to paint! But I'm not a landscape painter (yet)... not that I wouldn't like to be. I'd like to be able to paint whatever I want :) However, I used to have this idea that I just couldn't paint landscapes (after a couple of miserable failed attempts).  But now I'm thinking, "Why not?" I'm sure I can learn how with some practice, and I do want to. I'm finding lately (especially since starting this blog and recording some of my thoughts as I go along), that I have this constant inner dialogue regarding my art. There's always a voice saying "you're not any good and you might as well not bother." I don't like that voice. And since I'm more aware of it, I'm becoming more effective and pushing it away. Who really cares if I'm not any good anyway? No on...
Read more

Eye of David in progress

-
Image
Horrible photo quality here, but this is my current cast project in progress. It feels like I'm getting close to the finish, but I need to address the entire drawing, paying special attention to turning the form and giving it a "sculptural" quality. So more specific information as to how the forms turn away/toward the light. The shapes/impression are there. I've heard some people say that they love finishing--it's the funnest part for them. For me, it's the most grueling. I think I see more impressionistically, so finishing is just really difficult and tedious. Starting's the fun part for me.
Read more

Another progress post

-
Image
I've been working on this little painting copy the past few days when I get a chance. If you know much about current artists, I'm sure you recognize this one immediately ;) My copy isn't perfect--the drawing's a little off here and there, and goodness, I'm having a hard time matching the greenish hues in his grays--I want to make everything more warm. But I'm learning so much copying this. There's something very different about gazing at a painting with the intent of recreating the effect and then actually trying to do it, versus just gazing at a painting. He is very careful about the temperature of each brushstroke--it's a constant play between warm and cool, muted and more saturated (though really, almost everything is so beautifully muted to a degree). Also, there are very few flat color shapes. It's as though each brush of paint is half-mixed, creating so much variety within what would appear to be very small, simple shapes. I also love ...
Read more