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Carpe Diem

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12x9", charcoal & white on gray paper This sweet little fella has been chanting the mantra "I need you" almost incessantly the past few days, which generally means, "hold me and don't put me down." Poor guy--just about breaks a mama's heart :( He finally fell asleep curled up on the rocking chair, so I grabbed some charcoal and sketched him quickly (about 12-15 minutes, I think).  I haven't been doing a lot of quick sketches lately. But I think the more careful study I've been doing these past few months is definitely helping when I go to draw something more quickly. And the charcoal is not something I'm very comfortable with, but I think I could learn to like it :)
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Painting en plein air

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5x7, water mixable oil on linen panel, 10/23/15 The clouds have been unbelievable lately here in Utah--so big and billowy. Whenever I go outside, I have this urge to paint! But I'm not a landscape painter (yet)... not that I wouldn't like to be. I'd like to be able to paint whatever I want :) However, I used to have this idea that I just couldn't paint landscapes (after a couple of miserable failed attempts).  But now I'm thinking, "Why not?" I'm sure I can learn how with some practice, and I do want to. I'm finding lately (especially since starting this blog and recording some of my thoughts as I go along), that I have this constant inner dialogue regarding my art. There's always a voice saying "you're not any good and you might as well not bother." I don't like that voice. And since I'm more aware of it, I'm becoming more effective and pushing it away. Who really cares if I'm not any good anyway? No on...
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Portrait of Beccafer

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It's not every day you meet someone named Beccafer (must be a combo of Rebecca and Jennifer)! She's very good at holding a pose. It's usually a figure pose on Thursdays, but the model was thinking she had been asked to sit for a portrait, so that's what we did. I don't feel like I quite captured her likeness--I think there was probably just slightly more fullness/width on the right side of her face. And again, I was struggling a bit with how to approach blocking in those masses. I think I zone in on each little area too much when I'm trying to see the value, and lose sight of the whole--like trying to include the graded value on the eyelid, when just blocking in a solid mass gives a truer impression of the thing--at least at first. I don't know why simplification is so difficult a thing, but it is. Anyway, I clearly didn't finish, but this is as far as it's gonna get . And that pink glow on the bottom of the image is just the reflection...
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