I've been working on this little painting copy the past few days when I get a chance. If you know much about current artists, I'm sure you recognize this one immediately ;) My copy isn't perfect--the drawing's a little off here and there, and goodness, I'm having a hard time matching the greenish hues in his grays--I want to make everything more warm. But I'm learning so much copying this. There's something very different about gazing at a painting with the intent of recreating the effect and then actually trying to do it, versus just gazing at a painting. He is very careful about the temperature of each brushstroke--it's a constant play between warm and cool, muted and more saturated (though really, almost everything is so beautifully muted to a degree). Also, there are very few flat color shapes. It's as though each brush of paint is half-mixed, creating so much variety within what would appear to be very small, simple shapes. I also love ...
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